In Coqueta, by Orquesta Tipica Victor, 1929, the very first notes viscerally punch me in the stomach and make me feel melancholy and sad. My whole body wants to move in slow motion recalling all old losses in this mood of death and disaster. During this social tango we walk together, play with the rhythm and pause.
From my side step at 1:01, I try and create a little adornment that is languid and full of beauty. My partner pauses for me and pulls me in a little closer to begin the next part of his lovely intimate walk. The tango is a soft, loving game or dialogue. We internalize the music and freely interpret the movement based on the social tango dancing style of Buenos Aires. Each of us moves from a loving, longing, respectful centre that knows this is an ephemeral moment in time, only making our tango, Coqueta, more remarkable.
Thank you to Paul Akmajian and the wonderful community in Tuscon and Green Valley, that completely encircled me from the first moment. A special thanks to Niki Glen and Cristian Sierra who invited us to dance a third tango, that he selected.